Pigeon Park Press

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  • People who inspired us

    We blogged previously about what made us decide to collaborate. There was a workshop at Birmingham Writers Group where we explored some collaborative writing techniques, and talked about examples of famous writers who had made it work. I had wanted to try it for years, after reading the experiences of Terry Prachett and Neil Gaiman…

    March 13, 2012
  • Judging a book by its cover: The title (2)

    Back in January, Heide and I, still in search of a title for our novel gathered all the suggested title together – the good, the bad, the mad, the inspired – and put them to our blog followers in a survey. The results are below and they present a combination of the expected and the…

    March 4, 2012
  • SJ Watson at Birmingham Library

    Heide and I were lucky enough to meet the author SJ Watson this evening. He came to Birmingham (he’s a local lad originally) to talk about and promote his phenomenally successful novel, Before I Go To Sleep. There is something very impressive (and envy-inspiring) about the success he has had with this, his debut novel.…

    February 29, 2012
  • Sewing the pieces together

    Boris Karloff in Frankenstein, 1931 Charles Dickens died in 1870, leaving his final novel, The Mystery of Edwin Drood, unfinished. His readers, who had followed the story of Drood, his Uncle Jasper and the Landless siblings, were left with an unfinished story abounding with unanswered questions. Who killed Edwin Drood? Who was the Dick Datchery…

    February 28, 2012
  • How did we avoid these collaborative writing pitfalls?

    Empirical Study on Collaborative Writing: What do co-authors do, use, and like? Sylvie Noël & Jean-Marc Robert I came across this interesting paper about the co-authoring of documents. Most of the research is about collaborative writing in the workplace or in academia, but it’s full of interesting things. I’m not going to reproduce what it says, you…

    February 17, 2012
  • I read because I write

    All readers read for different reasons. All writers write for different reasons. The reasons I read Orwell’s Nineteen Eighty-Four for my GCSE English Literature were different to the reasons I re-read it three or four years later. The reasons I wrote my first full-length novel, Blue Angel, were different to the reasons for which I…

    February 14, 2012
  • Dating Advice from Satan

    Heide and I have now spent nearly six months and approximately 50,000 words in the company of Jeremy Clovenhoof, Satan’s earthbound alter ego and we feel we’ve got to know him quite well. He’s not the character we perhaps initially envisaged. He’s more human, earthier than either of us expected. He’s like the child we…

    February 11, 2012
  • Beginning Paragraphs

    Douglas Adams knew a thing or two about great openings I thought for a while that Iain would need to come round and maybe administer drugs, in the way that the A-Team used to ambush Mr T to get him on a plane. Why? To make me stop tinkering with the opening paragraph of the…

    February 7, 2012
  • Collaboration: Can two people write with one voice?

    A writing collaboration can take many forms. One partner might be the ideas person and the other the writer. Or one might be the writer and the other the editor. Or each author might write separate story strands which are then woven together once complete. These are perfectly fine methods of collaboration but, in them,…

    January 30, 2012
  • Vote for your favourite book title

    As of this week, our collaborative ‘Clovenhoof’ novel is half completed and we still don’t have a proper name for it. But not for much longer! We’d like YOU to pick the title of our novel. We’ve been given a plethora of possible titles by people who’ve read sample chapters of the novel and we’d…

    January 28, 2012
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